I recently joined in with my coworkers in reading a book from the Great American Read, and began reading Americanah by Chimimanda Ngozi Adichie. It’s a lengthy paperback I picked up, over 500 pages, a size I’ve been avoiding for the most part with the limited reading time a needy toddler gives to me. But as I started reading it while my daughter fell asleep on my shoulder one afternoon, I turned the pages, faster and faster, and though I still have half a book to go I am chomping my way through Adichie’s book faster than I would have thought.
I look at the way Americanah is written, and I should not find it so appealing. So much narrative summary, going quickly over the lives of Ifemelu and Obinze, should leaving me feeling separate, distant from the characters. Instead Adichie’s words and sentences coil around me deeper and deeper into their thoughts, their worlds, until I am enmeshed in the story of a girl who grew up poor, who moved to America and was so disheartened with the path her life was taking she shut out the person she loved the most; the story of a boy who grew up comparatively privileged but enters adulthood to find life so much harder than he thought it should have been, every dream he had suddenly unreachable. There is so much history to the she writes about, and I’m impressed by this writing that is so different from what I write, from what I thought I would want to read.
I didn’t mark a particular passage that I can quote now, and when I flip back through the pages I can’t find the one line to illustrate what I mean. It’s the whole thing, the cadence of the sentences strung together, and I am pulled deeply in before I even realize what has happened.